Does Anyone Want Brie Larson To Play Capt Marvel Again?
Posted: Tue Sep 13, 2022 12:04 pm
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I wouldn't call it 'a lot less'
Directors are less valuable than a good actor, Mark Ruffalo is such a jerk; I wish he had not got the roleFemina wrote: ↑1 year agoI wouldn't call it 'a lot less'
Ed Norton lost the role, somewhat mutually, for being a control freak denied control. He's KNOWN to be an Actor who demands a lot of control over the films he's in. Occasionally this is potentially beneficial (His cut of American History X is actually the cut of the film we got... the Director was so pissed about this he demanded his name be taken off the film as it apparently no longer resembled the film the director wanted to make.) but that's an attitude that is going to cause a LOT of professional friction. He's an actor who probably shouldn't take too many roles in films he doesn't already have a lot of control over. He's got the talent, clearly, but if you keep poking your director telling them 'I can do this better' then go behind their back, re-edit the film and give that to the producers on the sly it makes you a bit of a problem. He's better off just BEING the director.
The ignorance of this comment is just astounding.Dazzle1 wrote: ↑1 year agoDirectors are less valuable than a good actor, Mark Ruffalo is such a jerk; I wish he had not got the roleFemina wrote: ↑1 year agoI wouldn't call it 'a lot less'
Ed Norton lost the role, somewhat mutually, for being a control freak denied control. He's KNOWN to be an Actor who demands a lot of control over the films he's in. Occasionally this is potentially beneficial (His cut of American History X is actually the cut of the film we got... the Director was so pissed about this he demanded his name be taken off the film as it apparently no longer resembled the film the director wanted to make.) but that's an attitude that is going to cause a LOT of professional friction. He's an actor who probably shouldn't take too many roles in films he doesn't already have a lot of control over. He's got the talent, clearly, but if you keep poking your director telling them 'I can do this better' then go behind their back, re-edit the film and give that to the producers on the sly it makes you a bit of a problem. He's better off just BEING the director.
Yes
What that Ruffalo is a jerk, he is . Sorry he is one these Celebs who think they should dictate to elected officials. You can replace a director very easilyFemina wrote: ↑1 year agoThe ignorance of this comment is just astounding.Dazzle1 wrote: ↑1 year agoDirectors are less valuable than a good actor, Mark Ruffalo is such a jerk; I wish he had not got the roleFemina wrote: ↑1 year agoI wouldn't call it 'a lot less'
Ed Norton lost the role, somewhat mutually, for being a control freak denied control. He's KNOWN to be an Actor who demands a lot of control over the films he's in. Occasionally this is potentially beneficial (His cut of American History X is actually the cut of the film we got... the Director was so pissed about this he demanded his name be taken off the film as it apparently no longer resembled the film the director wanted to make.) but that's an attitude that is going to cause a LOT of professional friction. He's an actor who probably shouldn't take too many roles in films he doesn't already have a lot of control over. He's got the talent, clearly, but if you keep poking your director telling them 'I can do this better' then go behind their back, re-edit the film and give that to the producers on the sly it makes you a bit of a problem. He's better off just BEING the director.
They are. Wiki says about "The Marvels" that "it is intended to be the sequel to Captain Marvel (2019), a continuation of the Disney+ series Ms. Marvel (2022), and the 33rd film in the Marvel Cinematic Universe (MCU)."
I think it is the opposite. I think they have been over cautious in doing a heroine led movie because so many have previously gone wrong (and then you see what happened with WW2 and the lukewarm blackwidow movie). Captain Marvel was a solid but nothing special marvel movie, small bits in Endgame kept the character warm but nothing to get your teeth into as such.sugarcoater wrote: ↑1 year agoBrie Larson is a beautiful woman, but I never found her Ms. Marvel character to be appealing beyond the visual. Perhaps bad script/dialogue is to blame, but the character never transcended into something more than a generic super-powered heroine on the screen. I don't know if she can create the charisma needed to make the character more engaging and interesting.
To delve a bit further into the topic, could part of the reason for her lack of charisma/likability be due writing the character to make her too powerful and focus too much on promoting her instead of developing her? Maybe there is a fear to put the character into a vulnerable scenario as they might with a different superhero.
This has the energy of a blood-spattered, 110-page manifesto written entirely in letters chopped out of back-issues of The New York Post.McGheeny wrote: ↑1 year agoMy “No” vote was not due to Brie Larson’s statement. It had more to do with the continuing ridiculous trend to portray a beautiful female heroine as a man. Instead of donning a costume that would enhance the feminine features and attributes of a beautiful actress, morons have forced outfits that are poorly interpreted and just plain suck on us. The same losers chop off the heroine’s hair to, “Butch” them up. Who are they trying to sell these insipid androgynous products too?
Brie Larson is beautiful and should be dressed appropriately to enhance her “femininity” not make her another male character. If you have seen Brie Larson in, “The Babysitter” it is clear she is an attractive and unambiguously female. She was better outfitted in, “King Kong”. Brie had an appealing woman’s hair style in the first, “Captain Marvel”. I shudder to see the next ludicrous iteration these female hating mobs come up with for the character.
History is full of art and literature depicting the many facets and beauty of a woman. Helen of Troy is the beauty who launched 1000 ships, not the genderless bipod that caused thousands of ships to flee. The definition of Superheorine is: A heroine with supernatural powers; a female superhero.
Brie-Larson-Feet-92968.png
It can’t be that hard to make Brie look like a female heroine, can it?
The opposite how so? I don't think I'm in disagreement with your point. And with the previous heroine-led movies, what's your take as to why they failed? Is there a commonality or did each fail due to their own unique circumstances?lionbadger wrote: ↑1 year agoI think it is the opposite. I think they have been over cautious in doing a heroine led movie because so many have previously gone wrong (and then you see what happened with WW2 and the lukewarm blackwidow movie). Captain Marvel was a solid but nothing special marvel movie, small bits in Endgame kept the character warm but nothing to get your teeth into as such.sugarcoater wrote: ↑1 year agoBrie Larson is a beautiful woman, but I never found her Ms. Marvel character to be appealing beyond the visual. Perhaps bad script/dialogue is to blame, but the character never transcended into something more than a generic super-powered heroine on the screen. I don't know if she can create the charisma needed to make the character more engaging and interesting.
To delve a bit further into the topic, could part of the reason for her lack of charisma/likability be due writing the character to make her too powerful and focus too much on promoting her instead of developing her? Maybe there is a fear to put the character into a vulnerable scenario as they might with a different superhero.
I am hoping for something a bit meatier, maybe if the skrulls pop up as expected in the next phase but we'll see. Disney seem to be more interested in their streaming service these days than anything else.
Gotcha, and thanks for clarifying. Makes sense to me. I am curious as to how Marvel will rebuild the Avengers with the next phase. Their real challenge, as I see it, will be creating the same likability and charisma for their leads. Hopefully they can pull it off as a Secret Wars storyline could be really good with opportunities for some quality twists and turns to the overall plot.lionbadger wrote: ↑1 year agoI just don't think they have "made her too powerful and focused too much on promoting her instead of developing her"
she's had one movie and a bit part in a massive 2 parter, I want to see what happens with i.e. secret wars which I assume will have her taking the iron man position to rebuild avengers?
I do think you are onto something about development, I think WW2's big weakness was too much action and not enough development, I haven't seen the blackwidow movie but maybe again that is because I've never found her to be a particularly interesting character. That might be me being stupid though because I thought the same about Captain Merica before I saw that, possibly there is something to be said for having low expectations.
I partially agree with this point. But as with most all comic book movies, the heart is often in how the secondary characters are developed and affected by the plot. For example, the deaths in the Spiderman series packed a punch, from Uncle Ben to Gwen to Aunt May. There's no killing off Spiderman, but his personal losses and his complete erasure from everyone's memory made for a significant defeat of sorts. For Wonder Woman, the loss of her initial love in a sacrificial manner had some emotional juice to it. But I think without that, there would not have been that much to the movie (and I don't think the secondary characters were even remotely fleshed out). My impression is the Wonder Woman movie garnered so much praise primarily because it was long overdue (the anticipation had been building for decades in some circles) and had an actress who played the part quite well. But the story was average and did not create much of an emotional connection for me (which I'll admit is subjective). But without any other character development outside of Steve Rogers, the movie fell fairly flat for me.Femina wrote: ↑1 year agoLets not forget that WW1 was actually pretty good, involved essentially an 'invincible' Diana (at least in comparison to whom she was fighting) and people still consider it one of, if not the best, DCEU film right? So Captain Marvel being incredibly powerful isn't itself a problem.
Sure, but that's still not the Actresses fault nor make her power tier the flaw that 'breaks the film' or something. That's all I mean to point out up there. Captain Marvels POWER has nothing whatsoever to do with whether or not her films can be good or not... that's not an acceptable argument to be made......... especially some sixty or seventy odd years into SUPERMAN'S die hard fandom. If 'too powerful' was a stop gap, Superman wouldn't be a household name.sugarcoater wrote: ↑1 year agoI partially agree with this point. But as with most all comic book movies, the heart is often in how the secondary characters are developed and affected by the plot. For example, the deaths in the Spiderman series packed a punch, from Uncle Ben to Gwen to Aunt May. There's no killing off Spiderman, but his personal losses and his complete erasure from everyone's memory made for a significant defeat of sorts. For Wonder Woman, the loss of her initial love in a sacrificial manner had some emotional juice to it. But I think without that, there would not have been that much to the movie (and I don't think the secondary characters were even remotely fleshed out). My impression is the Wonder Woman movie garnered so much praise primarily because it was long overdue (the anticipation had been building for decades in some circles) and had an actress who played the part quite well. But the story was average and did not create much of an emotional connection for me (which I'll admit is subjective). But without any other character development outside of Steve Rogers, the movie fell fairly flat for me.Femina wrote: ↑1 year agoLets not forget that WW1 was actually pretty good, involved essentially an 'invincible' Diana (at least in comparison to whom she was fighting) and people still consider it one of, if not the best, DCEU film right? So Captain Marvel being incredibly powerful isn't itself a problem.
So ironically, it seems that it's the villains and supporting cast that make the movie successful--not the superhero. Without a good conflict with a worthy adversary, and without a supporting cast to add depth to the characters, the movie or series will fall flat.
Agreed. Regardless of the actress's personal life, she has to do what the script and director tell her and if she's not given a good script and good story then its not her fault. I can't think of any actress that would have done better with CM1 given what it was about. No good boss fight, we don't see her powers till the last 20 minutes. Little action. And yes they do stuff with superman all the time.Femina wrote: ↑1 year agoSure, but that's still not the Actresses fault nor make her power tier the flaw that 'breaks the film' or something. That's all I mean to point out up there. Captain Marvels POWER has nothing whatsoever to do with whether or not her films can be good or not... that's not an acceptable argument to be made......... especially some sixty or seventy odd years into SUPERMAN'S die hard fandom. If 'too powerful' was a stop gap, Superman wouldn't be a household name.
The most oft utilized in the comics actually does tend to be some form of power drain. Her powers work 'something' like a battery. She's charged with an unimaginable amount of energy, hitting her with certain kinds of energy actually makes her stronger (I'm pretty sure that's what the 'Binary' form is) but to make her weaker there's usually some kind of 'syphoning' occurring or else they result to some vague form of 'powers on the fritz' for mysterious reasons.
I don't know who gets to decide what arguments are "acceptable". To your point about the actress, the charisma factor is as much a result of the script as it is the actress. I can't say if the Ms. Marvel's character's lack of charisma is due to the actress or the script or some of both, I just didn't feel the character exuded much of it. The issue may very well be 100% the script--I'll certainly acknowledge that--but I also have not watched a lot of Brie's movies so I can't speak to her acting range.Femina wrote: ↑1 year agoSure, but that's still not the Actresses fault nor make her power tier the flaw that 'breaks the film' or something. That's all I mean to point out up there. Captain Marvels POWER has nothing whatsoever to do with whether or not her films can be good or not... that's not an acceptable argument to be made......... especially some sixty or seventy odd years into SUPERMAN'S die hard fandom. If 'too powerful' was a stop gap, Superman wouldn't be a household name.sugarcoater wrote: ↑1 year agoI partially agree with this point. But as with most all comic book movies, the heart is often in how the secondary characters are developed and affected by the plot. For example, the deaths in the Spiderman series packed a punch, from Uncle Ben to Gwen to Aunt May. There's no killing off Spiderman, but his personal losses and his complete erasure from everyone's memory made for a significant defeat of sorts. For Wonder Woman, the loss of her initial love in a sacrificial manner had some emotional juice to it. But I think without that, there would not have been that much to the movie (and I don't think the secondary characters were even remotely fleshed out). My impression is the Wonder Woman movie garnered so much praise primarily because it was long overdue (the anticipation had been building for decades in some circles) and had an actress who played the part quite well. But the story was average and did not create much of an emotional connection for me (which I'll admit is subjective). But without any other character development outside of Steve Rogers, the movie fell fairly flat for me.Femina wrote: ↑1 year agoLets not forget that WW1 was actually pretty good, involved essentially an 'invincible' Diana (at least in comparison to whom she was fighting) and people still consider it one of, if not the best, DCEU film right? So Captain Marvel being incredibly powerful isn't itself a problem.
So ironically, it seems that it's the villains and supporting cast that make the movie successful--not the superhero. Without a good conflict with a worthy adversary, and without a supporting cast to add depth to the characters, the movie or series will fall flat.
Just handwaving that superman is one of the OG supers doesn't dismiss the FACT that he's both extremely powerful... and extremely popular with famous story arcs his fans would ASSURE you are good and great. SuperGIRL is extremely popular in this little place and essentially it's the same issue and occasionally even our perverse corner of the internet find a way to tell pretty decent stories about her IN SPITE OF their ultimate goal of telling a SHiP story for the shmexy! Captain Marvel's in the same boat as all of that, she's not in a separate boat JUST cause she's a very powerful character who wasn't invented 'first'. It doesn't matter that she wasn't made in the 60's, that doesn't inherently block the sorts of stories you could tell about Superman to the stories you about Captain Marvel. There's no such thing as a protagonist who is 'too powerful' FULL STOP. To say it can't be done is a self imposed limiter and a failure of imagination... it's like this cultural delusion brought in on the tail of the good seasons of Game of Thrones... the bloodthirsty maniacs who now expect EVERY fictional property to be a mountain of dead characters for the story to have stakes (those juicy.... delicious... STEAKS!!!!). They've tainted their ability to consume any sort of story except 'that one they really liked for awhile'... but the fact they can't imagine a good story without main characters dropping like flies doesn't mean good stories don't exist outside of their delusion.sugarcoater wrote: ↑1 year agoI don't know who gets to decide what arguments are "acceptable". To your point about the actress, the charisma factor is as much a result of the script as it is the actress. I can't say if the Ms. Marvel's character's lack of charisma is due to the actress or the script or some of both, I just didn't feel the character exuded much of it. The issue may very well be 100% the script--I'll certainly acknowledge that--but I also have not watched a lot of Brie's movies so I can't speak to her acting range.Femina wrote: ↑1 year agoSure, but that's still not the Actresses fault nor make her power tier the flaw that 'breaks the film' or something. That's all I mean to point out up there. Captain Marvels POWER has nothing whatsoever to do with whether or not her films can be good or not... that's not an acceptable argument to be made......... especially some sixty or seventy odd years into SUPERMAN'S die hard fandom. If 'too powerful' was a stop gap, Superman wouldn't be a household name.sugarcoater wrote: ↑1 year agoI partially agree with this point. But as with most all comic book movies, the heart is often in how the secondary characters are developed and affected by the plot. For example, the deaths in the Spiderman series packed a punch, from Uncle Ben to Gwen to Aunt May. There's no killing off Spiderman, but his personal losses and his complete erasure from everyone's memory made for a significant defeat of sorts. For Wonder Woman, the loss of her initial love in a sacrificial manner had some emotional juice to it. But I think without that, there would not have been that much to the movie (and I don't think the secondary characters were even remotely fleshed out). My impression is the Wonder Woman movie garnered so much praise primarily because it was long overdue (the anticipation had been building for decades in some circles) and had an actress who played the part quite well. But the story was average and did not create much of an emotional connection for me (which I'll admit is subjective). But without any other character development outside of Steve Rogers, the movie fell fairly flat for me.Femina wrote: ↑1 year agoLets not forget that WW1 was actually pretty good, involved essentially an 'invincible' Diana (at least in comparison to whom she was fighting) and people still consider it one of, if not the best, DCEU film right? So Captain Marvel being incredibly powerful isn't itself a problem.
So ironically, it seems that it's the villains and supporting cast that make the movie successful--not the superhero. Without a good conflict with a worthy adversary, and without a supporting cast to add depth to the characters, the movie or series will fall flat.
As to your second point, I will have to disagree with your suggestion that Superman is a fair comparison. It's not. Superman is one of the original superheroes. Part of his fame is due to being one of the originals. Ms. Marvel isn't even close to original in comparison. And last I checked, the Superman movie franchise has been fairly weak since Superman II back in the 1980s. So I'm going to humbly disagree with your last argument.
I do not disagree that quite a few storylines can be made interesting if done well (a big caveat though), but the originality of superheroes matters. Agree to disagree on that point. As for the Supergirl point, I don't know if that matters in the discussion. The character had a movie in 1984, has been in some cartoons, and has had several failed comic book series over the decades.Femina wrote: ↑1 year agoJust handwaving that superman is one of the OG supers doesn't dismiss the FACT that he's both extremely powerful... and extremely popular with famous story arcs his fans would ASSURE you are good and great. SuperGIRL is extremely popular in this little place and essentially it's the same issue and occasionally even our perverse corner of the internet find a way to tell pretty decent stories about her IN SPITE OF their ultimate goal of telling a SHiP story for the shmexy! Captain Marvel's in the same boat as all of that, she's not in a separate boat JUST cause she's a very powerful character who wasn't invented 'first'. It doesn't matter that she wasn't made in the 60's, that doesn't inherently block the sorts of stories you could tell about Superman to the stories you about Captain Marvel. There's no such thing as a protagonist who is 'too powerful' FULL STOP. To say it can't be done is a self imposed limiter and a failure of imagination... it's like this cultural delusion brought in on the tail of the good seasons of Game of Thrones... the bloodthirsty maniacs who now expect EVERY fictional property to be a mountain of dead characters for the story to have stakes (those juicy.... delicious... STEAKS!!!!). They've tainted their ability to consume any sort of story except 'that one they really liked for awhile'... but the fact they can't imagine a good story without main characters dropping like flies doesn't mean good stories don't exist outside of their delusion.sugarcoater wrote: ↑1 year agoI don't know who gets to decide what arguments are "acceptable". To your point about the actress, the charisma factor is as much a result of the script as it is the actress. I can't say if the Ms. Marvel's character's lack of charisma is due to the actress or the script or some of both, I just didn't feel the character exuded much of it. The issue may very well be 100% the script--I'll certainly acknowledge that--but I also have not watched a lot of Brie's movies so I can't speak to her acting range.Femina wrote: ↑1 year agoSure, but that's still not the Actresses fault nor make her power tier the flaw that 'breaks the film' or something. That's all I mean to point out up there. Captain Marvels POWER has nothing whatsoever to do with whether or not her films can be good or not... that's not an acceptable argument to be made......... especially some sixty or seventy odd years into SUPERMAN'S die hard fandom. If 'too powerful' was a stop gap, Superman wouldn't be a household name.sugarcoater wrote: ↑1 year agoI partially agree with this point. But as with most all comic book movies, the heart is often in how the secondary characters are developed and affected by the plot. For example, the deaths in the Spiderman series packed a punch, from Uncle Ben to Gwen to Aunt May. There's no killing off Spiderman, but his personal losses and his complete erasure from everyone's memory made for a significant defeat of sorts. For Wonder Woman, the loss of her initial love in a sacrificial manner had some emotional juice to it. But I think without that, there would not have been that much to the movie (and I don't think the secondary characters were even remotely fleshed out). My impression is the Wonder Woman movie garnered so much praise primarily because it was long overdue (the anticipation had been building for decades in some circles) and had an actress who played the part quite well. But the story was average and did not create much of an emotional connection for me (which I'll admit is subjective). But without any other character development outside of Steve Rogers, the movie fell fairly flat for me.Femina wrote: ↑1 year agoLets not forget that WW1 was actually pretty good, involved essentially an 'invincible' Diana (at least in comparison to whom she was fighting) and people still consider it one of, if not the best, DCEU film right? So Captain Marvel being incredibly powerful isn't itself a problem.
So ironically, it seems that it's the villains and supporting cast that make the movie successful--not the superhero. Without a good conflict with a worthy adversary, and without a supporting cast to add depth to the characters, the movie or series will fall flat.
As to your second point, I will have to disagree with your suggestion that Superman is a fair comparison. It's not. Superman is one of the original superheroes. Part of his fame is due to being one of the originals. Ms. Marvel isn't even close to original in comparison. And last I checked, the Superman movie franchise has been fairly weak since Superman II back in the 1980s. So I'm going to humbly disagree with your last argument.
ANYTHING can have interesting stories told about it, ANYTHING... there's probably a tear inducing children's story about ROCKS out there! Wouldn't surprise me for an instant. The challenge, always, is finding the right stories for the thing.
As to Brie Larson's range, I HAVE seen a soup of her stuff and can attest that she's not a limited actress. As I said above somewhere, she's got an Oscar for best actress under her belt. She's got music videos under he belt! She's a ridiculously talented woman. She's just been misrepresented by a certain element in the hopes of having her 'cancelled' back before the term was popularized.
Sure... but an 'amount' of power has nothing to do with the originality of a character? Power 'tiers' are just tiers. Captain Marvel's powerSET isn't a copy of Supermans? The source is different, what it allows her to do is different. It's not a copy of superman to be 'as powerful as superman'... characters don't get to have 'dibs' on power tiers.sugarcoater wrote: ↑1 year agoI do not disagree that quite a few storylines can be made interesting if done well (a big caveat though), but the originality of superheroes matters. Agree to disagree on that point. As for the Supergirl point, I don't know if that matters in the discussion. The character had a movie in 1984, has been in some cartoons, and has had several failed comic book series over the decades.
the trick is to use some sort of tainted energy that she can't help but absorbFemina wrote: ↑1 year ago
The most oft utilized in the comics actually does tend to be some form of power drain. Her powers work 'something' like a battery. She's charged with an unimaginable amount of energy, hitting her with certain kinds of energy actually makes her stronger (I'm pretty sure that's what the 'Binary' form is) but to make her weaker there's usually some kind of 'syphoning' occurring or else they result to some vague form of 'powers on the fritz' for mysterious reasons.
The Kree had a device on the back of her neck that restricted her powers. Once she took that off she was OP.Damselbinder wrote: ↑1 year agowait
Isn't Captain Marvel captured like... twice in her movie? She's not that invincible is she?
I have mostly deleted this movie from my brain though so if I'm wrong I'll only disembowel myself a teensy bit
Right butMr. X wrote: ↑1 year agoThe Kree had a device on the back of her neck that restricted her powers. Once she took that off she was OP.Damselbinder wrote: ↑1 year agowait
Isn't Captain Marvel captured like... twice in her movie? She's not that invincible is she?
I have mostly deleted this movie from my brain though so if I'm wrong I'll only disembowel myself a teensy bit
Yeah just like Kryptonite stops superman. But is the stopping of the character a rare edge case in which someone needs a special McGuffin?Damselbinder wrote: ↑1 year agoRight butMr. X wrote: ↑1 year agoThe Kree had a device on the back of her neck that restricted her powers. Once she took that off she was OP.Damselbinder wrote: ↑1 year agowait
Isn't Captain Marvel captured like... twice in her movie? She's not that invincible is she?
I have mostly deleted this movie from my brain though so if I'm wrong I'll only disembowel myself a teensy bit
Okay so there clearly ARE things that can inhibit or weaken her then