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Running Time : 26 mins 30 secs
Witch Hunters Worst Nightmare stars Marco Tesino(as Hansel) and Jasmine Wolff (as Gretel) who whilst on a mission to defeat the evil Witch (Played by Alexis Blaze) and her Ogre (Played by Sean) find that the witches powers are far more diverse/forceful than they had ever imagined, but can they escape the depraved places these powers will take them? Lets find out!
And the first thing i noticed about this film was how surprisingly narrative driven it was (for a primal film) which was a nice surprise, even if the editing is a little choppy at times but this is smoothed out not long through with every other aspect working it’s charm on us and this con soon becomes non existent.
The directing in primal fashion is very downplayed, letting the scenes breathe enough to add realism while i do feel this one was quite a bit more provocative than others with it’s great low angle shots of our leading ladies highlighting their stunning assets quite a bit throughout which are a welcome return from a film like Wonder Co-Ed which is more or less just a thinly plotted porn scene which is ironic as of all things you’d expect from this film are more like Wonder Co-Ed, and Wonder Co-Ed the same.
And speaking of our leading ladies Jasmine, even through she was extremely effective in using her provocative movements/aura to give off a villainous yet deceptively sensual presence to her villainous role in Mighty Crusader, instead in this she plays the perilous role yet does not let this dent her performance as she uses her body just as enticingly but in different context with already provocative camera work working hand in hand with this.
And the story itself already sets a taboo bar for itself just with Hansel and Gretel being brother and sister as it then successfully adds to this with even more attention-grabbing and enthralling aspects : always keeping us on our toes with new tormenting and challenging acts to put upon our duo as well as having every line hold just as much tantalizing stigma to it as the last, plus surprisingly not padding the film out with just long periods of sex to substitute for effort which for a film of this nature is very common, but instead this film screams effort (and with the last film i reviewed being Wonder Co-Ed, it makes this aspect all the more welcome).
The Hansel and Gretel outfits are both just perfect, featuring the leather themed look of the 2013 film, which is fitting for the subject matter too as Jasmine’s perfectly displays her wonderfully curvaceous body and shows a lot of skin while also being able to obscure it if need be with its extremely varied features including it’s long leather trench coat, its stripey leather chaps plus its leather arm warmers/gloves all covering enough to make us want more while also being able to give access to these assets whenever the filmmakers please (and they do so very strategically).
And while at first the villains costumes are a little silly, the film seems to be aware of this as they make sure to have no closeups of the characters and keep them relatively in the dark so it isn’t nearly as distracting, plus like with the editing this soon becomes obsolete as every other aspect perfectly distracts us from this.
And Jasmines performance again unlike Wonder Co-Ed is full of personality with her character being defiant, strong and hotheaded plus always being more vocal than the brother (and more stubborn) which amplifies her inevitable fate whilst always giving a cockiness to each comeback she gives but to respect the films tone, is never delivered as hammy or intentionally funny either (which gives even more credit to Jasmine’s performance).
And the film is so dedicated to holding our attention that when something is happening that may possibly alienate some of the male audience they make sure that in the background we can see Gretel being sensually fondled by the Ogre just to make sure that if you weren’t bored before you definitely wont be now,
And Jasmine gives some great reactions during these heated moments, giving across the reluctance and humiliation in a very potent/effective way and then in a clever moment as the Witch cast’s a spell over Gretel she is given the challenge (as a performer) to immediately switch emotions from shame to ecstasy in a matter of seconds which she delivers with just as much potency as the perilous side and like Livewire they mess around with it as the Witch then continues to switch back and forth between these two emotions and Jasmine switches each time effortlessly giving merely subtle changes to her mannerisms as they make all the difference unlike most where they would do it in a much simpler fashion, this is much more compelling as it keeps us watching eagerly to marvel at her skills in captivating the audience as this otherwise boring sex scene is elevated now by the filmmakers many different methods in holding our attention (and they all work perfectly).
And as the story progresses the Witch decides to change to her younger/much more beautiful self (and the actress Alexis Blaze definitely sells this aspect), again donning a primarily leather outfit with fishnet tights, a body-hugging latex skirt and a leather corset amplifying her perfectly curvaceous body,
Yet this Gothic getup is able to make a perfect contrast to her otherwise fresh-faced/girl next door beauty, giving us no problem in believing how Hansel is so easily consumed by her.
One small con of this is that Alexis gives a seductive and tormenting performance as the old version of the Witch yet when she becomes beautiful version she has no prolonged dialogue scenes to really sell/prosper as this beautiful version and reach the seductiveness in her character as she did in her exterior, but instead for most of the film she is being ravished by Hansel (which i can’t complain too much about as it is beautiful to watch).
And then despite all of their great efforts, as the sex scene starts to test your patience it almost immediately finishes (again another way in how they’ve either canceled out a negative or predetermined it before it can really become a problem).
And then after this exceptional sex scene which ends just at the right time, the film then finishes on a titillatingly risque note, again superbly acted/improvised by Jasmine who is somehow able to add even more provocativeness to this already taboo core (reminiscent to how the film is able to build so perfectly on top of this already fantastic idea), giving a quietly potent conclusion to a spellbinding film.
So all in all this film is not only a step up in making more narrative driven films for primal but also is able to completely keep our attention throughout with its impressive central performance by Jasmine Wolff, its eye-catching/body amplifying outfits plus its taboo ideas and actions/reactions of its heroes and villains, all doing their own uniquely captivating thing either in the forefront or the background guaranteeing that there isn’t one frame you wont be undoubtedly absorbed by, So with that being said i definitely have to recommend this film.
10/10
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